SPECIAL NOTICE FROM THE CREATOR, AUTHOR, DIRECTOR AND PRODUCER OF STORE:

Thank you for visiting the Official Website of STORE, the award-winning documentary created, produced, written and directed by Cami J. Kidder. 

If you have been contacted by a Mr. David Hillberg, I regret the fact that he continues to make choices that misrepesent the facts of his involvement with my film, and thus have interrupted my efforts to secure a distribution deal. 

In truth, Mr. Hillberg is one of five investors.  After I refused Mr. Hillbergs romantic overtures, he filed a lawsuit against me citing all sorts of misconduct.  Please rest assured, this baseless lawsuit was dismissed by the Court in March 2008.    In February 2008, the Court granted my petition for a full 3-year Restraining Order on Mr. Hillberg.   Unfortunately he refused to accept the Court Order and continues to try to have contact with me.

Mr. Hillberg also filed a false document with the US Copyright Office claiming the copyright on my film.  In spite of the fact that he has been contact by a copyright attorney representing me explaining this reality to him, he continues to represent himself as the "copyright owner."  He is not, I am, I assure you. 

Quoting directly from www.copyright.gov, "work is under copyright protection the moment the work is created and fixed in a tangible form that it is perceptible either directly or with the aid of a machine or device."  "Copyright protects original work of authorship." As Mr. Hillberg had not part in authoring my film, he has no standing to claim copyright of STORE.    He does not have my permission or my license to be representing my film in anyway.

Therefore any inquiries about STORE are rightly directly to me, Cami Kidder either through this website or directly at storenomoregreen@yahoo.com

Director's Statement for STORE by Cami J. Kidder

When I moved from a rural New England town of 2,000 to Los Angeles, CA with its nearly 4 million people, I expected many things to be different. However, I was amazed to see custom-built buildings to house personal possessions on nearly every corner. Not that we did not have self-storage in New Hampshire. My Dad owns a set of 26 units. Most of units available in New England are outside and not insulated. My Dad calls them 'tin boxes sitting on a hill.' Basically they're backyard sheds that just happen to be on someone else's land. While his units are an improvement, these structures in Los Angeles are truly complexes. At least one of these huge buildings had over 15,000 units! They have all the comforts of home - electricity, piped in-music, A/C with rent that is an 1/8 of the average apartment its no wonder people try to live in them.

Even though I am a bi-coastal storer, I kept wondering what is everyone hanging on to? Is this something endemic to city living? Is it just a US thing? Is California a storage Mecca, or it is just Los Angeles? Perhaps it's an actor thing? I know from looking at my life that women seem to have a greater connection to their stuff, with a ever increasing divorce rate, perhaps this has something to do with it. Why is the demand growing each year? And is it worth it for the consumer? 

I've always been a storyteller. Most of my life, I've been on stage playing a part to help tell a story. When I first moved to LA, I was cast in a play about 9-11 that we performed as a tribute on the 1st anniversary. I have many good friends who live in NYC and some who even work at the Trade Center and escaped the buildings' collapse. We were all affected in someway, but I didn't fully grieve until I played the part of Kim. She is an ER nurse whose firefighter husband was killed when Tower 2 came down. It wasn't my loss, it was hers, but somehow her experience became mine and I cried for them both.

I think being an actor and a filmmaker helps me understand the world better. We all judge each other in our lives, but the only way to understand and begin to accept another is to experience what they experience. Sometimes I feel a bit like I was left behind as E.T. was to learn about humanity. I've€™ always wanted to know why people do what they do, so I decided to make films to see if I could find out.

We traveled to 8 states shooting this film - California, New Hampshire, Vermont, Connecticut, Nevada, Colorado, New Mexico and Arizona. East vs. West Coast, rural towns vs. cities, indoor vs. outdoor storage, speaking to over 150 people various ties and experiences with storage including owners, managers, and users. They share their stories and their stuff in the hope, I believe, to learn that they are not alone. That It's not frivolous, shameful or crazy to keep their stuff in storage. However there are stories that we capture where people ventured into the extreme, which may not be the most sensible behavior pattern. When is it collecting and when is it hoarding? Are there certain sociological factors that contribute to this affliction?

STORE gives such notable personalities as Jane Withers and Margaret O'Brien the chance to share their collections and their 'cautionary tales,' according to Jane, with the public. Jane's collection includes furniture from Mary Pickford's house, memorabilia and photographs from her 70-year entertainment career, and the 14,000 dolls in her collection. She most recently stored her belongings in a warehouse as her collection was far too large for her house or a conventional storage unit. Margaret's collection has costumes from her 60-year career, a Peruvian mummy, and her Oscar (a terrific story we tell in the film) housed in 6 separate storage units. 

The vast majority of our interviewees are the everyday people whose life transitions are eased (and sometimes, complicated) by the existence of the moving & storage industry. While there are consistent themes as to why people need to move and store their belongings, the actual impulse event remains as individual as they are. Some people have storage because of a birth or death, a wedding or divorce, a disaster such as an earthquake or fire, and for business reasons including storage of equipment or files and relocation.

In short, the film explores what is in all these units, how long things stay in storage, at what cost, the various ways people use storage units, and why people pay so much to hold on to things that aren't worth very much. Like a storage facility, every door is the same, but each story is unique.

STORE is an 86-minute documentary that employs a rapid fire pace, and a pass-the-baton style. Full of lovable, driven and quirky characters who are often compelled to laugh and cry while explaining the forces powering this 15 billion-dollar industry.